Iris Long is a writer and independent curator with a research focus on how art responses to ubiquitous computing, big data and AI. Her recent work has been focused on the psycho-geography of technologies and China’s techno-infrastructures. In 2021, she initialised “Port”, a site-based curatorial programme on China’s technological infrastructures & landscapes. 

She was shortlisted by the first M21-IAAC Award (International Awards for Art Criticism). Her translation work, Rethinking Curating: Art after New Media, received nomination from AAC Art China awards in 2016. She has curated exhibitions around art and technology, such as “Lying Sophia and Mocking Alexa”( and “Blue Cables in Venetian Watercourse”(PSA Emerging Curator’s Program Grand Prize). She is also the art jury of ISEA 2019, and art jury of SIGGRAPH ASIA 2020. 

Her research work has been presented in “Art and Artificial Intelligence”(Open Conference, ZKM), “Korea Research Fellow”(MMCA), “Art Machines: International Symposium on Computational Media Art (ISCMA)”(Hong Kong),International Symposium on Electronic Art and Digital Research in the Humanities and Arts, ISEA and so on.

Iris has a master degree of Critical Writing in Art and Design from the Royal College of Art, UK and a bachelor degree of Journalism and Communication from Tsinghua University, China. Currently, she studies at the Advanced Practices PhD program at Goldsmiths, University of London.

Since 2021, she also has been working as art consultant for landspace, a Chinese private space launch company.

龙星如(Iris Long),策展人,写作者,研究方向为艺术创作与包括人工智能、大数据、普世运算等一系列技术条件的关系,以及科技的心理地理和基础设施建设。2021年,她发起了“端口:云下贵州”项目,这是一个关于中国科技基础设施的长期调研和策展项目。

译《重思策展:新媒体后的艺术》并获第十一届AAC艺术中国年度艺术出版物提名;第一届IAAC国际艺术评论奖英文入围评论者;策划展览包括《撒谎的索菲亚和嘲讽的艾莉克莎》(Hyundai Blue Prize策展人奖,,《他山之石,新代理人》(PSA青策计划)等。2019年担任ISEA电子艺术研讨会国际评委。2020年担任计算机图形学会议SIGGRAPH ASIA艺术板块国际评委。