She was shortlisted by the first M21-IAAC Award (International Awards for Art Criticism). Her translation work, Rethinking Curating: Art after New Media, received nomination from AAC Art China awards in 2016. She has curated exhibitions around art and technology, such as “Lying Sophia and Mocking Alexa”(sophialexa.com) and “Blue Cables in Venetian Watercourse”(PSA Emerging Curator’s Program Grand Prize). She is also the art jury of ISEA 2019, and art jury of SIGGRAPH ASIA 2020.
Her research work has been presented in “Art and Artificial Intelligence”(Open Conference, ZKM), “Korea Research Fellow”(MMCA), “Art Machines: International Symposium on Computational Media Art (ISCMA)”(Hong Kong),International Symposium on Electronic Art and Digital Research in the Humanities and Arts, ISEA and so on.
Iris has a master degree of Critical Writing in Art and Design from the Royal College of Art, UK and a bachelor degree of Journalism and Communication from Tsinghua University, China. Currently, she studies at the Advanced Practices PhD program at Goldsmiths, University of London.
Since 2021, she also has been working as art consultant for landspace, a Chinese private space launch company.
龙星如(Iris Long)，策展人，写作者，研究方向为艺术创作与包括人工智能、大数据、普世运算等一系列技术条件的关系，以及科技的心理地理和基础设施建设。2021年，她发起了“端口：云下贵州”项目，这是一个关于中国科技基础设施的长期调研和策展项目。
译《重思策展：新媒体后的艺术》并获第十一届AAC艺术中国年度艺术出版物提名；第一届IAAC国际艺术评论奖英文入围评论者；策划展览包括《撒谎的索菲亚和嘲讽的艾莉克莎》（Hyundai Blue Prize策展人奖, sophialexa.com），《他山之石，新代理人》（PSA青策计划）等。2019年担任ISEA电子艺术研讨会国际评委。2020年担任计算机图形学会议SIGGRAPH ASIA艺术板块国际评委。
她的研究工作发表于德国ZKM媒体艺术中心“艺术与人工智能”会议，香港城市大学运算媒体艺术国际论坛（ISCMA），韩国国立现代美术馆（MMCA）国际策展人论坛，英国格林威治大学数字人文与艺术研究国际论坛，ISEA电子艺术研讨会等。
英国皇家艺术学院艺术评论硕士，清华大学新闻传播学士。目前就读于伦敦大学金匠学院前沿实践博士项目。
自2021年起，她也在蓝箭航天担任艺术顾问，并联合策划“科技降临计划”，一个从宇航工业出发的跨学科项目。