IRIS LONG  | 龙星如 


Critical Writing in Art & Design, Royal College of Art, London — MA, 2011-2013

Journalism & Communication, Tsinghua University, Beijing — BA, 2007-2011


“Blue Cables in Venetian Watercourses”, PSA Emerging Curator Program, 2021.3 - 2021.6, Power Station of Art, Shanghai

“The Final Prophet”, Shenzhen Bay Scitech Art Festival, 2020.12 - 2021.1, Shenzhen

“You Can Say: ‘Reset the Room’”, 2020.9 - 2020.11, Brownie Project, Shanghai

“Mind the Deep - Artificial Intelligence and Artistic Creation”, 2019.11 -2020.02, McaM, Shanghai

“Latent Spectators”, co-curation with V2_Lab for Unstable Media,  2019.11 -2020.02, UNArt Center, Shanghai

“The Kind Stranger”, 2019.08 - 2019.10, UNArt Center, Shanghai

“Alternative Worlds”, co-curation with Microsoft, 2019.07 - 2019.08, CAFA Art Museum, Beijing

“De Ja Vu”  - the third Today Art Museum Biennale, 2019.08 - 2019.10,  Today Art Museum, Beijing

“Lying Sophia and Mocking Alexa”, 2019.07 - 2019.11, Hyudai Motostudio Beijing


ISRR - International Foundation of RoboTics Research, 2020

Art and Artificial Intelligence, Open Conference, ZKM | Center for Art and Media,  2019

Korea Research Fellow, MMCA, 2019

Art Machines: International Symposium on Computational Media Art (ISCMA), 2019

EAST Bridge Curatorial Exchange,  Seoul, 2018

International Symposium on Electronic Art, 2016

Digital Research in the Humanities and Arts, 2015


Translated work: Rethinking Curating: Art After New Media,  Tsinghua University Press, 2016

Articles are included in multiple academic journals and media art related publication such as the upcoming book: Open Codes, by ZKM


PSA Emerging Curator Program, 2021

Shortlist, Porsche’s “Young Chinese Artist of the Year” award, 2019

Hyundai Blue Prize (curatorial award), 2018

AAC Art China awards, nomination, 2016

Shortlist, Prix Cube Art Prize, France, 2016

Honorable Mention, ifva, Hong Kong, 2015

Shortlist, M21-IAAC Award (International Awards for Art Criticism), 2015